Pulp His And Hers Rarlab

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  1. Pulp His And Hers Rarlabs
His 'n' Hers
Studio album by
Released18 April 1994
RecordedOctober 1993–February 1994[a]
StudioBritannia Row, London[b]
Genre
  • Britpop[2]
  • glam pop[3]
Length50:38
LabelIsland
ProducerEd Buller
Pulp chronology
Intro – The Gift Recordings
(1993)
His 'n' Hers
(1994)
Masters of the Universe
(1994)
Singles from His 'n' Hers
  1. 'Babies'
    Released: 5 October 1992
  2. 'Lipgloss'
    Released: 15 November 1993
  3. 'Do You Remember the First Time?'
    Released: 21 March 1994

His 'n' Hers is the fourth studio album by English rock band Pulp, released on 18 April 1994 by Island Records. It proved to be the band's breakthrough album, reaching number nine on the UK Albums Chart,[4] and was nominated for the 1994 Mercury Music Prize. In 1998, Q magazine readers voted it the seventieth greatest album of all time, while it was placed at number 110 in the book Virgin All-Time Top 1000 Albums.[4]

Release and aftermath[edit]

And
Professional ratings
Review scores
SourceRating
AllMusic[5]
Chicago Tribune[6]
Drowned in Sound8/10[7]
Encyclopedia of Popular Music[8]
NME8/10[9]
Q[10]
The Rolling Stone Album Guide[11]
Select4/5[12]
Spin8/10[13]
Uncut[14]

'Lipgloss', 'Do You Remember the First Time?', 'Razzmatazz', and a new mix of 'Babies' were released as singles, the latter as part of the Sisters EP.

Rarlabs

A 'deluxe edition' of His 'n' Hers was released on 11 September 2006. It contained a second disc of B-sides, demos and rarities.

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Pulp His And Hers Rarlabs

Themes and content[edit]

Lyrically, the album encompasses subjects for which Pulp were to become well known, including sexual encounters, social class and voyeurism.[4]

Robyn Strachan retrospectively describes the opener 'Joyriders' as setting the tone for the album with 'acerbic observation and lurking seediness and decay'.[15]

'She's a Lady' takes much of its musical inspiration from Gloria Gaynor's 'I Will Survive'.[16]

The album closer, 'David's Last Summer', is notable as being one of Pulp's most narrative songs, delivered entirely in spoken word apart from the chorus despite being an uptempo track.

Pulp

Track listing[edit]

All lyrics written by Jarvis Cocker; all music composed by Pulp.

No.TitleLength
1.'Joyriders'3:25
2.'Lipgloss'3:34
3.'Acrylic Afternoons'4:09
4.'Have You Seen Her Lately?'4:11
5.'Babies' (does not appear on the album's vinyl release)4:04
6.'She's a Lady'5:49
7.'Happy Endings'4:57
8.'Do You Remember the First Time?'4:22
9.'Pink Glove'4:48
10.'Someone Like the Moon'4:18
11.'David's Last Summer'7:01
North American edition (bonus track)
No.TitleLength
12.'Razzmatazz'3:41
Deluxe edition (bonus disc)
No.TitleOriginLength
1.'Live On' (BBC Mark Goodier session)Previously unavailable3:58
2.'You're Not Blind' (demo)Previously unavailable3:45
3.'Space' (BBC Hit the North Session soundcheck)Previously unavailable3:27
4.'The Boss' (demo)Previously unavailable2:27
5.'Watching Nicky' (demo)Previously unavailable3:04
6.'Frightened' (demo)Previously unavailable3:36
7.'Your Sister's Clothes'Sisters EP4:41
8.'Seconds'Sisters EP4:19
9.'His 'n' Hers'Sisters EP6:20
10.'Street Lites'B-side to 'Do You Remember the First Time?'5:56
11.'You're a Nightmare' (BBC John Peel session)B-side to 'Lipgloss' (incorrectly noted as previously unavailable)5:20
12.'The Babysitter'B-side to 'Do You Remember the First Time?'5:00
13.'Deep Fried in Kelvin'B-side to 'Lipgloss'9:49

Personnel[edit]

Pulp

  • Jarvis Cocker – vocals, School piano, Vox Marauder guitar, EMS Synthi A
  • Russell Senior – Fender Stratocaster guitar, violin, bowed bass
  • Candida Doyle – Farfisa Compact Professional II organ, Stylophone 350S, Korg Trident II, Fender Rhodes piano, Wurlitzer piano, Hohner clavinette, Steinway grand piano
  • Nick Banks – drums, percussion, treated cymbals, timpani, fire extinguisher
  • Steve Mackey – Fender Jazz Bass

Artwork

  • Philip Castle – Pulp portrait
  • Kevin Westerberg – original photograph

Notes[edit]

  1. ^Except 'Lipgloss' and 'She's a Lady', recorded 2–10 July 1993; and 'Babies', recorded 20–24 July 1992[1]
  2. ^Except 'Babies', recorded at Island Records Fallout Shelter, London[1]

References[edit]

  1. ^ abSturdy, Mark (15 December 2009). Truth and Beauty: The Story of Pulp. Omnibus Press. ISBN9780857121035.
  2. ^Sanders, Brad (21 April 2014). 'His 'N' Hers Turns 20'. Stereogum. Retrieved 9 January 2019.
  3. ^http://www.allmusic.com/album/his-n-hers-mw0000625094
  4. ^ abcLarkin, Colin (1998). Virgin All-Time Top 1000 Albums. Virgin Books. ISBN0753502585.
  5. ^Erlewine, Stephen Thomas. 'His 'n' Hers – Pulp'. AllMusic. Retrieved 23 July 2010.
  6. ^Messbarger, Matt (1 December 1994). 'Pulp: His 'N' Hers'. Chicago Tribune. Retrieved 2 May 2016.
  7. ^Cowen, Nick (26 September 2006). 'Album Review: Pulp – His 'N Hers (2006 re-issue)'. Drowned in Sound. Retrieved 26 September 2006.
  8. ^Larkin, Colin (2011). The Encyclopedia of Popular Music (5th concise ed.). Omnibus Press. ISBN0-85712-595-8.
  9. ^Williams, Simon (16 April 1994). 'Pulp – His'N'Hers'. NME. Archived from the original on 13 October 2000. Retrieved 2 May 2016.
  10. ^'Pulp: His 'n' Hers'. Q (169). October 2000.
  11. ^Harris, Keith (2004). 'Pulp'. In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). New York: Simon & Schuster. p. 665. ISBN0-743-20169-8.
  12. ^Harrison, Andrew (May 1994). 'Short Cuts'. Select (47). Retrieved 13 January 2017.
  13. ^Modell, Josh (June 2009). 'Discography: Jarvis Cocker'. Spin. 25 (6): 82. Retrieved 26 December 2016.
  14. ^'Pulp: His 'n' Hers'. Uncut (112). September 2006.
  15. ^Robyn Strachan (3 August 2014). 'Resentment in Retrospective: Pulp's 'His 'n' Hers', 20 Years On'. Huffington Post. Retrieved 5 February 2018.
  16. ^Andy Gill (4 May 1995). 'POP / The last detail: It was a special night for Pulp, playing at home with their first single in the Top 10. Andy Gill was there'. The Independent. Retrieved 5 February 2018.

External links[edit]

  • His 'n' Hers at YouTube (streamed copy where licensed)
Retrieved from 'https://en.wikipedia.org/w/index.php?title=His_%27n%27_Hers&oldid=893073179'

Pulp had been kicking around since 1981, but for all intents and purposes, their 1994 major-label debut, His 'n' Hers is their de facto debut: the album that established their musical and lyrical obsessions and, in turn, the album where the world at large became acquainted with their glassy, tightly wound synth pop and lead singer Jarvis Cocker's impeccably barbed wit. This was a sound that was carefully thought out, pieced together from old glam and post-punk records, assembled in so it had the immediacy (and hooks) of pop balanced by an artful obsession with moody, dark textures. It was a sound that perfectly fit the subject at hand: it was filled with contradictions -- it was sensual yet intellectual, cheap yet sophisticated, retro yet modern -- with each seeming paradox giving the music weight instead of weighing it down. Given Pulp's predilection for crawling mood pieces -- such effective set pieces as the tense 'Acrylic Afternoons,' or the closing 'David's Last Summer' -- and their studied detachment, it might easy to over-intellectualize the band, particularly in these early days before they reached stardom, but for all of the chilliness of the old analog keyboards and the conscious geek stance of Cocker, this isn't music that aims for the head: its target is the gut and groin, and His 'n' Hers has an immediacy that's apparent as soon as 'Joyriders' kicks the album into gear with its crashing guitars. It establishes Pulp not just as a pop band that will rock; it establishes an air of menace that hangs over this album like a talisman. As joyous as certain elements of the music are -- and there isn't just joy but transcendence here, on the fuzz guitars that power the chorus of 'Lipgloss,' or the dramatic release at the climax of 'Babies' -- this isn't light, fizzy music, no matter how the album glistens on its waves of cold synths and echoed guitars, no matter how much sex drives the music here. Cocker doesn't tell tales of conquests: he tells tales of sexual obsession and betrayal, where the seemingly nostalgic question 'Do You Remember the First Time?' is answered with the reply, 'I can't remember a worst time.' On earlier Pulp albums he explored similar stories of alienation, but on His 'n' Hers everything clicks: his lyrics are scalpel sharp, whether he's essaying pathos, passion, or wit, and his band -- driven by the rock-solid drummer Nick Banks and bassist Steve Mackey, along with the arty stylings of keyboardist Candida Doyle and violinist/guitarist Russell Senior -- gives this muscle and blood beneath its stylish exterior. The years etching out Joy Division-inspired goth twaddle in the mid-'80s pay off on the tense, dramatic epics that punctuate the glammy pop of the singles 'Lipgloss,' 'Babies,' and 'Do You Remember the First Time?' And those years of struggle pay off in other ways too, particularly in Cocker's carefully rendered observations of life on the fringes of Sheffield, where desperation, sex, and crime are always just a kiss away, and Pulp vividly evokes this world with a startling lack of romanticism but an appropriate amount of drama and a surplus of flair. It's that sense of style coupled with their gut-level immediacy that gives His 'n' Hers its lasting power: this was Pulp's shot at the big time and they followed through with a record that so perfectly captured what they were and what they wanted to be, it retains its immediacy years later.

Title/ComposerPerformerTimeStream
1 3:25
2
Jarvis Cocker / Pulp
3:34
3 4:09
4
Jarvis Cocker / Pulp
4:11
5
Nick Banks / Jarvis Cocker / Candida Doyle / Steve Mackey / Russell Senior
4:04
6 5:49
7
Jarvis Cocker / Pulp
4:57
8 4:22
9
Jarvis Cocker / Pulp
4:48
10 4:18
11
Jarvis Cocker / Pulp
7:01
12 3:41
blue highlight denotes track pick